Dave Matthews Band - Chicago

Marsoni

M251S

$69.00

Get it in 3 business days with 1 day shipping. Friday, May 29

Dave Matthews Band - ChicagoThis one was a journey! Dave's longtime art director Matt caught me early in 2025 with the idea of creating portraits of each of the band members. He referenced the Jerry Garcia print I made as a possible starting point for the tone and mood of the series. Basically, each member of the band would get their own personal mood board poster. After going and back forth for a awhile mgmt ultimately decided that now wasn't the right time for the portrait

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Magic City remains, perhaps, my favorite volume out of Yusef Komunyakaa's distinguished body of work. With his characteristic blues and jazz-inflected lyricism, Komunyakaa revisits the harrowing violence and racism of the deep south as viewed through a piercingly translucent prism of personal memory. The poems making up this volume are in many respects a poetry of witness, and the eyes through which which this gritty psychic landscape is revealed to the reader penetrate various scenes of troubled family life, poverty, violence and racism with a razor-sharp clarity rife with anger, sorrow, and beauty. Ranging in age from childhood to young adulthood, the speakers, or witnesses, in these poems see through eyes that are simultaneously innocent and jaded, naive and urbane, unflinchingly tough and lyrically sensitive. These are unforgettable poems. Like good blues, they cut right down to the bone.

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Reviewed in the United States on April 21, 2002

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Silvia

Charlottesville, US

★★★★★ 4

Four Stars

Format: Paperback

took a little longer than I expected but overall good quality for a used book .

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Reviewed in the United States on September 24, 2014

R. H. White

Lake Worth, US

★★★★★ 4

Unblinking portrait of a childhood in the Jim Crow South

Format: Paperback

Komunyakaa, who won the Pulitzer Prize for his Neon Vernacular, here writes about his childhood in a Louisiana town. The poems are poignant but unsentimental: the child's world has a certain kind of innocence but is saturated with violence, from the Klan to his father's abuse of his mother to the pragmatic violence of slaughtering a hog. One of the more exciting elements of this book is Komunyakaa's skill in combining realistic description with startling and even puzzlingly abstract language.

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Reviewed in the United States on February 26, 2000